• Kate McAlpine, aka DJ AlpineKat, is the rapper. She works as a science writer for CERN.
• Will Barras, a PhD student in the Department of Linguistics and English Language at the University of Edinburgh, is responsible for the thumpin’ beats.
  
• The images used came from particlephysics.ac.uk, space.com, the Institute of Physics, NASA, Symmetry, and Marvel
• The dancers doubled as camera people, with some work by Neil Dixon. Stock footage is CERN’s.
• The original mp3, lyrics, and vocals can be sampled and remixed from McAlpine’s directory on MSU.edu.

Those lyrics are easily several orders of magnitude more complex than the average gangsta rap. Babes, bling and bluster is replaced by the Big Bang, dark matter and bosons. I posted them below for your enjoyment:

The Large Hadron Rap

Twenty-seven kilometers of tunnel under ground
Designed with mind to send protons around
A circle that crosses through Switzerland and France
Sixty nations contribute to scientific advance
Two beams of protons swing round, through the ring they ride
‘Til in the hearts of the detectors, they’re made to collide
And all that energy packed in such a tiny bit of room
Becomes mass, particles created from the vacuum
And then…

LHCb sees where the antimatter’s gone
ALICE looks at collisions of lead ions
CMS and ATLAS are two of a kind
They’re looking for whatever new particles they can find.
The LHC accelerates the protons and the lead
And the things that it discovers will rock you in the head.

We see asteroids and planets, stars galore
We know a black hole resides at each galaxy’s core
But even all that matter cannot explain
What holds all these stars together – something else remains
This dark matter interacts only through gravity
And how do you catch a particle there’s no way to see
Take it back to the conservation of energy
And the particles appear, clear as can be

You see particles flying, in jets they spray
But you notice there ain’t nothin’, goin’ the other way
You say, “My law has just been violated – it don’t make sense!
There’s gotta be another particle to make this balance.”
And it might be dark matter, and for first
Time we catch a glimpse of what must fill most of the known ‘Verse.
Because…

LHCb sees where the antimatter’s gone
ALICE looks at collisions of lead ions
CMS and ATLAS are two of a kind
They’re looking for whatever new particles they can find.

Antimatter is sort of like matter’s evil twin
Because except for charge and handedness of spin
They’re the same for a particle and its anti-self
But you can’t store an antiparticle on any shelf
Cuz when it meets its normal twin, they both annihilate
Matter turns to energy and then it dissipates

When matter is created from energy
Which is exactly what they’ll do in the LHC
You get matter and antimatter in equal parts
And they try to take that back to when the universe starts
The Big Bang – back when the matter all exploded
But the amount of antimatter was somehow eroded
Because when we look around we see that matter abounds
But antimatter’s nowhere to be found.
That’s why…

LHCb sees where the antimatter’s gone
ALICE looks at collisions of lead ions
CMS and ATLAS are two of a kind
They’re looking for whatever new particles they can find.
The LHC accelerates the protons and the lead
And the things that it discovers will rock you in the head.

The Higgs Boson – that’s the one that everybody talks about.
And it’s the one sure thing that this machine will sort out
If the Higgs exists, they ought to see it right away
And if it doesn’t, then the scientists will finally say
“There is no Higgs! We need new physics to account for why
Things have mass. Something in our Standard Model went awry.”

But the Higgs – I still haven’t said just what it does
They suppose that particles have mass because
There is this Higgs field that extends through all space
And some particles slow down while other particles race
Straight through like the photon – it has no mass
But something heavy like the top quark, it’s draggin’ its ***
And the Higgs is a boson that carries a force
And makes particles take orders from the field that is its source.
They’ll detect it….

LHCb sees where the antimatter’s gone
ALICE looks at collisions of lead ions
CMS and ATLAS are two of a kind
They’re looking for whatever new particles they can find.

Now some of you may think that gravity is strong
Cuz when you fall off your bicycle it don’t take long
Until you hit the earth, and you say, “Dang, that hurt!”
But if you think that force is powerful, you’re wrong.
You see, gravity – it’s weaker than Weak
And the reason why is something many scientists seek
They think about dimensions – we just live in three
But maybe there are some others that are too small to see
It’s into these dimensions that gravity extends
Which makes it seem weaker, here on our end.
And these dimensions are “rolled up” – curled so tight
That they don’t affect you in your day to day life
But if you were as tiny as a graviton
You could enter these dimensions and go wandering on
And they’d find you…

When LHCb sees where the antimatter’s gone
ALICE looks at collisions of lead ions
CMS and ATLAS are two of a kind
They’re looking for whatever new particles they can find.
The LHC accelerates the protons and the lead
And the things that it discovers will rock you in the head.

As it’s a dance performance, both labs worked in close collaboration with the Department of Theater, Dance, and Performance Studies at UC Berkeley, and the Dance Department and Intermedia Program at Mills College. The video quality admittedly isn’t great — and you may want to skip ahead to 11:30, when the actual performance begins, or to 20:00, when the dancing starts — but the concept itself is noteworthy for its aspiration to bridge the gap between real and virtual environments.

[kml_flashembed movie="http://www.youtube.com/v/C2HqMAtQMsY" width="425" height="350" wmode="transparent" /]
From the show notes on YouTube:

The Resonance Project Dance Group performed for a very large crowd in the Hearst Memorial Mining Building at UC Berkeley. The performance was a blend of live, modern dance with live tele-immersed dancers from University of Illinois in Urbana-Champaign, Illinois. Using a large network of cameras and computers the dancers were able to span the geographic distance and mingle in cyberspace. The computers merged three-dimensional video images of the dancers onto a single projection, which was broadcast alongside live dancers.

The Resonance Project is a team of choreographers, dancers, computer engineers, and visual and sound artists who are investigating concepts of presence/remote presence and corporeal and code interactivity within live and media based performance. Unique to the project is the use of a “performance as research” model, within which scientists and artists collaborate to explore a re-visioning of cyber culture and corporeal presence.

The nature of the performance has a close conceptual relationship with CAVE, a tele-immersive environment used for learning in a wide variety of disciplines, and the CAVEman, the first 4-D human atlas.

Linking to ITKnowledgeExchange.com could be music to your ears

Over the course of April, our sister site will be running a promotion whereby anyone that links to them or adds them to a blogroll will be eligible to win an iPod Shuffle.

All you have to do is add ITKE and then send Brent Sheets an email to let him know about it.

Good luck!

Actual size: less than 1 cubic centimeter

Although the generator is not the first of its kind, it’s said to be 10 times more powerful than any previous implementation. The technology, which has an industrial background, is being adapted for use with pacemakers. In this application, the beat of a person’s heart could power their pacemaker, which would mean that they would no longer require surgery to replace the batteries.

Here’s Beeby’s explanation (quoted in IndiaTimes Infotech):
“There is a big drive towards using wireless devices, but one of the challenges in supplying power to these devices is that batteries have a finite supply that needs to be replaced. We have a spin-out company that is now looking at powering pacemakers from the movement of the heart.

“As the power consumption of electronic devices continues to fall, the opportunity to use these devices to power them becomes more apparent. The potential is there for devices like mobile phones and MP3 players being at least augmented by vibration generators. There is quite a lot of energy available on a human such as the impact of a heel on the floor which could also be used.”

When you think about it, there’s no end of vibrational energy being generated all day every day. The VIBES team and other researchers are also exploring the potential of vibrations from roads and bridges. ~ Ivy Wigmore

As is so often the case, technology and life comes in cycles. In recent years, the explosion of cheap, removable flash drives (or jump drives, so some folks call them) has allowed mind-bogglingly large sneaker-borne file transfers copied over speedy USB 2.0 ports. iPod owners have long since discovered that those giganormous 80-gigabyte hard drives also make fantastic data warehouses for easy travel and transfer (as long as you don’t forget the cord!) and of course, it’s a cinch for most PC owners to burn a copy of a file to a CD and walk it over to another desk or office. That sort of thing can result in podslurping, of course, as network admins know. Entire operating systems can be carted around as LiveDistros, along with whatever portable applications a user might desire. I won’t even touch, of course, the multitude of flash memory formats that inhabit cameras, smartphones, GPS devices and other electronica, each a potential method of data transfer in “the sneakernet.”

(BTW, hat tip for the cool sneaker image goes to ProZak on Flickr)

So sneakernet is definitely not dead (as noted in this tip from SearchNetworking from 2005). The prompt provided by the reader email did, however, recall to my biological RAM an e-column I read just last week from David Pogue, the witty and frequently funny technology reviewer over at the New York Times. David recently wrote about a trip to California where he managed to forget a folder of 2 GB of digital photos he’d taken of digital SLRs he was reviewing in that week’s paper. With the help of a marvelously patient wife, he managed to get the files transferred over to his laptop from home using a nifty little shareware application called Pando. Pando provides, as David says, “a free, cross-platform, super-simple program designed expressly for idiotproof file transfers, even big ones.”

You can learn more at (you guessed it) Pando.com.

The only snag is that for the service to work, both users have to download and install the client, a step and hitch that David rightly suggests is a potential hindrance, or even impossible for some end users without admin privileges. That being said, Pando worked well for David and is allowing thousands of users to easily backup, transfer, recover and (yes) trade quite large media files. Color me a fan.

Aside from discovering Pando (thanks, David!), the process Pogue worked through is remarkably similar to one that plays out in classrooms and cubicles daily. How to do it? Sneakernet and removable storage is certainly one way, though I hear that the “Interwebs” is an attractive method these days as well. Here’s a crack at a list of ways to make a hypothetical transfer happen. If you have more ideas, please add them in the comments.

For instance, gmail has changed the way that most people think about using email to send attachments, with its remarkably large capacity (convertible to online storage, as I’ve blogged about before, with Gdisk), though I agree with David that 2 gigs is a tag weighty to send this way.

Also like David, I’ve been using FTP for a long time to download and upload files online, though I’ve endured timeouts, unexpected logouts and all manner of file corruptions over the years. I still have fond memories of the early versions of Fetch, including the happy dog icon that accompanied the app. David’s second idea, using an IM-client to transfer files, wasn’t a bad idea at all, though that kind of P2P file sharing isn’t likely to fly on many corporate networks.

As David discovered, however, IM and large files size don’t mix well for file transfer.

Command line geeks know about how to use Secure Shell (referred to as SSH or secsh) to securely access a computer remotely, a method that isn’t exactly for the technically faint of heart but allows direct access to the other computer’s directories. Rajpaul Bagga offers a Secure Shell (SSH) howto if you’re interested.

How else can you transfer large files? The list isn’t short, to be sure, even after touching on CDs, iPods, flash drives, P2P file sharing apps, FTP clients, iPods and IM.

.Mac users can also set up a public folder on their iDisks, which allows them to post large files for others to download, securing them behind password-protection as necessary.

Networking geeks can directly connect one PC to another with a crossover cable. And, as many will point out, a server or shared hard drive can be set up for file sharing as well.

You can use the IrDa port on your PDA and laptop (if they both have one!) to swap files using infrared.

And (of course) Bluetooth can be enabled to allow easy transfer between PCs, PDAs and printers, though bluesnarfing should worry users with proprietary or sensitive data.

Some smartphone users can use MMS to send files as well, most often pictures or (very short) videos taken with digital cameras. Unless you’re on an EV-DO, HSDPA or some other 3G wireless network, however, this won’t work particularly well with larger files.

Did I miss anything? Let me know in the comments!

In fact, it turns out that there were a lot of user-created videos built around the song.

I watched several, thoroughly enjoying the catchy tune with a techie humor twist. Here are my favorites, in no particular order:

• The Codemonkey Dance
• Jocopro’s early homage
• A mashup of Codemonkey and Traders, a Canadian TV show
• Another mashup, this time of Codemonkey and the animated virtual reality of the Sims.
• There was even a WoW version of Codemonkey, perfect for MMPORG geeks like me.

Little did I know that yesterday’s Sunday New York Times Magazine would feature an article, Sex, Drugs and Updating Your Blog, by Clive Thompson, that would provide both a backstory for Codemonkey! The piece delves into the daily life of the musician (Jonathan Coulton) that wrote the song and explores at length the changing face of music, artistic expression and artists’ control over their work.

There’s a great video exploring how Codemonkey became a viral hit at nytimes.com as well.

Jonathan quit his job as a computer programmer 21 months ago to become a full-time singer and songwriter. Ten years ago, that might seem, on the face of it, either very ambitious, wildly inadvised (as the .com boom ramped up) and touchingly naive. Maybe all of those things. Whatever concerns he (or his wife) may have had, his discipline and passion, along with considerable talent and energy, have turned him into one of new media’s successes. Every week, he writes a new song, which he then publishes and markets online. In the process, he’s built a widespread fanbase and a reasonable income as an independent artist.

Not everyone can pull this off, of course. Just read the Wall Street Journal’s Tech section’s cover story today,”How to be a Star in a YouTube World.” It’s a great piece that drives home both the shift in the media landscape and the challenge in getting your voice heard in the increasingly-frenetic mix of artists on MySpace on YouTube. Thousands vloggers, podcasters and aspiring artists like Jonathan are all using a combination of these platforms to create, syndicate and, increasingly, monetize content. It’s not easy, but for those who have the time and talent, like Ask A Ninja, LonelyGirl15 or Rocketboom, it can work. It’s important to note the amount of writing, production, editing and marketing that is necessary for that success: the Ninjas, for instance, can take up to 18 hours for each 3-minute short.

Can the Web can allow more funny, creative artists like Jonathan to make a living? What do you think? Do you buy the premise of the articles?

And which version of the Codemonkey video is your favorite?

According to Tom Westergren, the founder of the project, the analytical engine that drives the service was created by “assembling literally hundreds of musical attributes or “genes” into a very large Music Genome. Taken together these genes capture the unique and magical musical identity of a song – everything from melody, harmony and rhythm, to instrumentation, orchestration, arrangement, lyrics, and of course the rich world of singing and vocal harmony. It’s not about what a band looks like, or what genre they supposedly belong to, or about who buys their records – it’s about what each individual song sounds like.”

After you’ve clicked over to the Web site, all you have to do is enter a few of your favorite songs or artists and Pandora launches “a streaming station to explore that part of the music universe.” The more you listen, the more accurate Pandora becomes in predicting which other artists and tracks will be within your boundaries of taste, much as speech recognition software becomes more accurate with greater use.